This - Osip Mandelstam
This is what I most want
unpursued, alone
to reach beyond the light
that I am furthest from.
And for you to shine there- no other happiness- and learn, from starlight, what its fire might suggest.
A star burns as a star, light becomes light, because our murmuring strengthens us, and warms the night.
And I want to say to you my little one, whispering, I can only lift you towards the light by means of this babbling.
Note: When I absolutely need to speak to myself (and perhaps with the hope that these murmurings will reach the other) words of consolation, I turn to this man, Osip, who was fully alive to "the flame in the blood". The knowledge about his brutal death, on reading his brief poetic biography in "The Selected Poems of Osip Mandelstam" (translations by W.S. Merwin and Clarence Brown) made me write a kaddish for him, that evening as I walked out of that bookstore, my hands shaking. This I want to say to you, my little one...
You may also read Edna O'Brien's rousing talk "The Danger Zone" in which she discusses Osip's life and work among other writers'. by
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Unicorn (A Version of Rilke's) - Don Paterson
This is the animal that never was.
Not knowing that, they loved it anyway;
its bearing, its stride, its high, clear whinny,
right down to the still light of its gaze.
It never was. And yet such was their love the beast arose, where they had cleared the space; and in the stable of its nothingness it shook its white mane out and stamped its hoof.
And so they fed it, not with hay or corn but with the chance that it might come to pass. All this gave the creature such a power
its brow put out a horn; one single horn. It grew inside a young girl’s looking glass, then one day walked out and passed into her.
Don Paterson was all over the pages of the Guardian recently, getting a standing ovation from Mark Doty for his versions of Rilke's "Sonnets to Orpheus". While there is little of his poetry to be had for eating in cyber-ia, the ones I found read like those written by a more edgy Philip Larkin; not a bad comparison given that Larkin was an jazz critic and Paterson made his living as a jazz musician before he rumbled into the British poetry scene.
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Why Regret? - Galway Kinnell
Didn't you like the way the ants help
the peony globes open by eating the glue off?
Weren't you cheered to see the ironworkers
sitting on an I-beam dangling from a cable,
in a row, like starlings, eating lunch, maybe
baloney on white with fluorescent mustard?
Wasn't it a revelation to waggle
from the estuary all the way up the river,
the kill, the pirle, the run, the rent, the beck,
the sike barely trickling, to the shock of a spring?
Didn't you almost shiver, hearing book lice
clicking their sexual dissonance inside an old
Webster's New International, perhaps having just
eaten out of it izle, xyster, and thalassacon?
What did you imagine lies in wait anyway
at the end of a world whose sub-substance
is glaim, gleet, birdlime, slime, mucus, muck?
Forget about becoming emaciated. Think of the wren
and how little flesh is needed to make a song.
Didn't it seem somehow familiar when the nymph
split open and the mayfly struggled free
and flew and perched and then its own back
broke open and the imago, the true adult,
somersaulted out and took flight, seeking
the swarm, mouth-pans vestigial,
alimentary canal come to a stop,
a day or hour left to find the desired one?
Or when Casanova took up the platter
of linguine in squid's ink and slid the stuff
out the window, telling his startled companion,
"The perfected lover does not eat."
As a child, didn't you find it calming to imagine
pinworms as some kind of tiny batons
giving cadence to the squeezes and releases
around the downward march of debris?
Didn't you glimpse in the monarchs
what seemed your own inner blazonry
flapping and gliding, in desire, in the middle air?
Weren't you reassured to think these flimsy
hinged beings, and then their offspring,
and then their offspring's offspring, could
navigate, working in shifts, all the way to Mexico,
to the exact plot, perhaps the very tree,
by tracing the flair of the bodies of ancestors
who fell in this same migration a year ago?
Doesn't it outdo the pleasures of the brilliant concert
to wake in the night and find ourselves
holding hands in our sleep?
... Note: This poem, brought to my attention by Robert Pinsky in this week's WaPo column, reminds me again why Kinnell is on my list of to be read American poets; the images in this poem - absolute deliciousness to be savored.
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