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Sunday, 26. November 2006

A Sunday Chautauqua



I came across the word "chautauqua" first in Prisig's "Zen and The Art of Motorcycle" when I read[1] it years ago, and it was something that came back to me this morning as I was reading Daniel Hoffman's lovely book length poem "Brotherly Love", which I picked up in the trash racks of my drug depot last evening for $1. Hoffman in this book, recreates the saga of William Penn, the founder of Pennsylvania, and recerates in rhyme (deploying words such as issimus, pone, payo etc) the pre-history of what was there before Penn landed at Delaware with his grand idea of "brotherly love". I have read through half of of this long poem, and perhaps will make myself finish it by this evening.

Speaking of love and bookstores, in my brief foray last night, I also managed to read about half an essay on Rilke by Seven Brikets[2] from his book "Readings". And Brikets's retelling of all the logrolling Rilke managed to do to support his calling had me laughing in the aisle. The essay also brought back to my attention John Berryman's famous prounouncement, in the voice of the drunk misygonist Henry of his "Dreamsongs": "Rilke was a jerk". While I know better than to dig into the wretched personal lives of artists, writers and poets[2], Rilke's life was indeed particularly appaling.

I was discussing this last night with my friend K, when she used the label "jerkface" to describe someone - Allan Bloom[3] I think. This meta-issue had actually come up many times before in my blabbering on artists (or more generally, great men's) lives around women. They seem to think that their greatness should be discounted because it came at a cost of them being absolute "bitches" to their families; classic cases in point would be Prince Siddartha, and now Rilke. This also drives some women to hate Woody Allen intensely for his disaster of a biography. I think I am more forgiving of these transgressions as women should be too, for isn't art supposed to be redemptive?

Finally, I think I might have figured out what Max Beerbohm was saying in his excellent parody[4] of the James-ian style, in his book of parodies on writers, "The Christmas Garland". And as I discovered last night, if you are typing out Henry James like utterances, it helps if you can hold your breath as if you were just about to take a dump when feeling extremely constipated[5].

We end this chautauqua with this public service cartoon (supplied by witty K) on minding your language:

[1] I skimmed, and even skipped over some of, the long philosophical bits to enjoy the motorcycle travelouge bits. I still think Prisig would have been an great travel writer, along the lines of Bruce Chatwin, if he wasn't batshit crazy

[2] These fall into two camps, I think; the first consists of those who are absolutely successful in being Don Juan-like, with women providing the emotional, or sexual, or monetary fuel to drive their art (Papa Hemingway, Graham Greene, D.H. Lawrence, Rilke etc), and the second consists of the loners, such as Vangogh, who don't get action not because they are not geniuses but because they thed to attain their fame only posthumously. I know I have discounted women artists here entirely in this classification scehma, which should tell you to which of the two camps I seek to belong to, in my moments of self delusion and granduer

[3] We discovered that she shares the same birthday with Prof. Bloom, whom she detests. And I am not going to let her forget this either

[4] Mr. Kobayashi's James-ian parody, over at SM, is also worth the click-through

[5] Yes, even though we want to be PG-13, we can't resist degenerating into scatological humor; such is the weight of Henry James.




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