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Sunday, 12. November 2006

Thumris and such



For the longest time I have been waiting for someone to write a deeply researched history (or a good historical novel based ) on Wajid Ali Shah[1], the final Nawab of Oudh (or Awadh), and a degenerate[2] patron and practioner of the arts - this man did it all, singing, dancing, composing, and writing. Further, if there is a Hollywood-ish Rock & Roll Hall of Fame in Indian classical music, in my book, Wajid would be right up there with Tansen, just for writing and composing that exquisitely beautiful thumri Babul mora naihar.

I came back to this thumri after not having heard it in years this morning (in the voice of Bhimsen Joshi), and even though it is an intensely sad thumri, it has made my day. Here is my rough translation of the lyric that Wajid wrote when he was exiled from his beloved Lucknow to Calcutta:

Father! I depart, against my will, from your home. Four men have gathered to lift my palnquin away. Those who were mine will soon become strangers, And these courtyards of my life will become desolate, When I leave your house, father, for the husband's distant land.

[1] Should we page Willy D, now that his book on Zafar Shah is out, to get on this pronto?

[2] He got married, as per the norm for nawabs, 359 times. Damn! I should have been born a nawab.




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Lights Out - Raga Yaman



It is comforting to sleep with a raga unfolding in the dark*, and thanks to the number of night ragas at hand, things don't get much boring. So I chose Raga Yaman (Kalyani in Carnatic tradition) last night, another of those big, mainstreet Indian classical ragas. I don't have the requisite knowledge to discourse on it, so I will differ to this excellent article by Rajan Parrikar on its musicology, its variants, and not the least, its extensive use in Bollywood music (a quick example: the song Mausam hai aashiquana from good ol' Pakheeza**). Of the many great versions of Raga Yaman that can be had for listening***, I prefer this one by Ustad Amir Khan just because I am in love with his voice. He takes an infinite amount (ok, fifty minutes more like) of time to unfold the raga - this is the way sleep happens with its slow drift of thoughts, and then silence.

* Yes, even though this is not the attitude required to get at the rasa

** Why lord, why do they want to wreck what was once marginally good, and thus consumable in Bollywood by remaking it?

*** This is Bhimu's (i.e., Bhimsen Joshi's) version of Yaman




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