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Buoy the population of the soul
Toward their destination before they drown
~ Robert Pinsky
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Wednesday, 19. July 2006

The Comedy of Richard Pryor



Because some mornings can be so depressing that you just gotta to have a belly aching laugh to get you going. I first heard snippets of Richard Pryor's masterful comedy on a NPR's "Fresh Air" on the history and sociology of the word "Nigger".

Incidentally this was on the road trip back from my first ten day Vipassana meditation retreat. There I was sitting in a car, hitching a ride back to Atlanta from Flordia on a Georgia backroad formerly known as the Cotton Highway, and there was this man on the radio saying "Motherfucker" in about twenty different unique styles. In spite of the high level of profanity etc in his comedy, I thought Pryor was quite close to being a Zen master then as I do now.

So here are some links to the man who quipped on being given the inaugural Mark Twain Prize for American Humor: "Two things people throughout history have had in common are hatred and humor. I am proud, that like Mark Twain, I've been able to use humor to lessen people's hatred. I feel great about accepting this prize. It is nice to be regarded on par with a great white man. Now that's funny."

on working for the Mafia (a video clip) on comparative sexology (a video clip) playing Mudbone (a video clip) an interview on "Fresh Air" some snippets on NPR




Collected Noise

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Tuesday, 18. July 2006

Music Note: Aimee Mann



I heard Amiee Mann's quite songs way back when watching the movie "Magnolia". These songs also have strong cross echoes with Elliot Smith's songs such as Angeles and Miss Misery on the sound track of "Good Will Hunting".

The most mesmerizing of these songs is "Wise Up", which popped into my head when an Iranian (in-exile) friend sent me an email asking me what I thought of the Middle East madness.

It's not going to stop, until you wise up...

Also listen to "Save Me" from the same movie.




Music Posts

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Praying Hands - Ted Kooser



There is at least one pair in every thrift shop in America, molded in plastic or plaster of paris and glued to a plaque, or printed in church pamphlet colors and framed under glass. Today I saw a pair made out of lightweight wire stretched over a pattern of finishing nails. this is the way faith goes from door to door, cast out of one and welcomed at another. A butterfly presses its wings like that as it rests between flowers.

Notes: I was asked to accompany my friend T to a book signing earlier this evening as he wanted me to meet a theologian friend of his. She had just written a memoir on leaving organized church for a more personal religion. As he was waiting in line to get his books signed (one of which was for me), I was looking at the small poetry rack they had in the store, and in this process picked up Ted Kooser's latest volume "Delights & Shadows".

I had read some of Kooser's poems in various anthologies, and more recently on the web when he was appointed as the current US Poet Laurate. I had first heard of Mr. Kooser in an essay titled "Business and Poetry" in Dana Gioia's "Can Poetry Matter?" (you can read the title essay here). The content of this essay dealt poets who make a living in business rather than taking shelter in the shady groves of Academia or depend on the kindness of strangers. In this essay, Mr. Gioia, who himself was a vice president of operations (which coincidentally is my professional field as well) at General Mills before he was become the head of the National Endownment for Arts (N.E.A), talks about poets such as William Carlos Williams (pediatrician), T. S. Eliot (banker), Wallace Stevens (corporate lawyer), and Ted Kooser (insurance), and how business did or did not impact their poetry.

Anyway, Mr. Kooser's poetry has a flavour and a presence similar to that of Wendell Berry's, a writer whose poems I enjoy and read often, usually in the outdoors. Consequently, I plan on exploring more of Mr. Kooser's poetry in the same fashion as well. Finally, these praying hands, as my friend T told me over dinner, are usually modeled after this classic print by Albrecht Durer.




Big Book Of Poetry

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